![]() ![]() The other, the Reamp HP, is smaller and intended primarily as a way to interface headphone output signals with guitar amps (more on that one in the box). One, the Reamp Station, terminates two ornithological entities utilising a single igneous projectile by putting both a reamp unit and an active DI in a single box - it’s not dissimilar in concept to their EXTC, though the latter caters for two channels and this just one. Recently, though, they’ve added a couple more reampers to their range. They’ve already produced a number of reamping devices, in various form factors, and they’ve even registered the word Reamp as a trademark. Radial have long been one of the biggest players when it comes to DI boxes, reampers and other such problem‑solving gadgets, and with good reason: they’ve always combined excellent circuit design with seriously heavy‑duty construction to create robust, high‑performance devices. There’s another practical application of a reamping setup, though, and that’s to allow pedals that have been designed for guitar to be used as outboard studio gear: just put the reamp box before the pedal and the DI box after it, and your stompbox delay or reverb (or whatever) can be used just like your studio gear when you’re mixing. That clean signal can then be replayed via the reamping box to feed a miked guitar amplifier - this allows the engineer to try different amplifier setups and mic techniques after the recording has been made. The practical advantage of using DI and reamp boxes together is that a clean guitar signal can be recorded via the DI box, even though the player may be listening to the sound of an amplifier fed from a thru connector. ![]() A reamp box is used for signals headed in the opposite direction: it can fool a guitar amp into thinking it is being fed from a guitar, by converting a mic or line‑level signal to a an unbalanced signal that has a more guitar‑like level and a suitable source impedance. A suitable DI box can fool a guitar into thinking that it is connected to a typical guitar amp by presenting it with a suitable high‑impedance input, and can pass a balanced mic‑level signal on to a mic preamp (such as on a console or audio interface). This means some ‘trickery’ is required when interfacing guitars and amplifiers with studio equipment that’s designed to work with conventional mic‑ or line‑level signals - and that, of course, is where reamping and DI boxes come in. Similarly, electric guitar amplifiers need to see a guitar‑like level and source impedance to sound their best. The Reamp HP is equipped with an isolation transformer and a ground lift switch to eliminate hum and buzz and help produce a clean recording, along with a level control for fine-tuning the output signal.Ever wanted to run already recorded signals through a guitar amp or stompbox? One of these boxes could be all you need.Įlectric guitars and basses fitted with passive pickup systems can be very fussy devices, particularly when it comes to the circuity they are plugged into. Connect a smartphone or tablet to the Reamp HP and create new sounds by combining a sound creation app with your favorite pedals and amps. The Reamp HP features both 1/4" and 3.5mm inputs, so you aren't limited to just Reamping tracks from your audio interface. You can even assign stereo tracks to the Reamp HP and sum them down using the dedicated mono switch on the device. Simply assign the track you want to Reamp to the right channel of your headphone output and you?re ready to feed guitar, bass, or even vocal tracks through your amplifier to record and experiment with new tones and settings. The Reamp HP is designed to accept the signal from the headphone output jack on your interface, making it incredibly easy to connect on the fly without having to repatch cables or dig around behind your studio desk or equipment rack. Often times this leaves you with no choice but to unplug a feed to your studio monitors in order to feed a Reamper. Reamp devices are designed to convert the outputs from an audio interface to feed guitar pedals and amplifiers for re-recording, but the problem is that many smaller interfaces typically have limited output connections available. The Reamp HP takes a unique approach to tapping a signal for Reamping in the studio, with the goal of making the process as easy and accessible for any home studio to employ. The Reamp HP takes the signal from a headphone output jack on an audio interface or a mobile device and converts it to feed mono guitar amps and effects pedals for Reamping. Reamp box specifically designed for headphone outputs to feed mono guitar amps and effects pedals ![]()
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